Higher - Radio Edit
30s preview
- BPM
- 85
- Double-time
- 170
- Open Key
- 3m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 3:01
- Released
- 2015
- Album
- Higher
- Genre
- Drum N Bass
- Loudness
- -2.4 dB
- Dynamics
- 10.3 dB
- ISRC
- GBSXS1500006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Higher - GRADES Remixremix9B · 122
- Higher - Sigma VIP Remixremix11B · 175
- Higher - Kideko Remixremix8A · 124
- Higher - Raf Riley Remixremix3B · 148
- Higher - Knox Brown Remixremix10A · 86
- Higher - Grant Nelson Remixremix10A · 123
Higher - Radio Edit is a downtempo drum n bass track in B minor (10A) at 85 BPM. It reads as punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of Sigma's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- slower than 95% of Sigma's catalogue
- Low end:
- more treble-tilted than 80% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Higher - Radio Edit in?
Higher - Radio Edit by Sigma is in B minor, or 10A on the Camelot wheel.
What BPM is Higher - Radio Edit?
Higher - Radio Edit runs at 85 BPM, a downtempo track.
What mixes well with Higher - Radio Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Higher - Radio Edit good for peak time?
With energy 87 out of 100 at 85 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 85 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 80-90 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 85 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 85 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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