Guilty
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 8m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 5:25
- Released
- 2011
- Genre
- Drum N Bass
- Loudness
- -2.1 dB
- Dynamics
- 9.1 dB
- ISRC
- TCADM1861816
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Guilty: drum n bass, B♭ minor (3A), 172 BPM. It reads as punchy, neutral in mood. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2011 production that still circulates in sets. More underground than 99% of Bcee's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 92% of Bcee's catalogue
- Tempo:
- slower than 80% of Bcee's catalogue
- Low end:
- more bass-heavy than 78% of Bcee's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Guilty in?
Guilty by Bcee is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Guilty?
Guilty runs at 172 BPM.
What mixes well with Guilty?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Guilty good for peak time?
With energy 85 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 172 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Bcee
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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