Changing
30s preview
- BPM
- 171
- Half-time
- 86
- Open Key
- 3d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 3:25
- Released
- 2015
- Album
- Life (Deluxe)
- Genre
- Drum N Bass
- Loudness
- -3.8 dB
- Dynamics
- 10.9 dB
- ISRC
- GBSXS1400136
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Changing - Goldsmyth Editionversion9A · 174
- Changing - Klingande Remixremix10B · 126
- Changing - Sigma's VIP Remix ft. Stylo Gremix10B · 88
- Changing - Extended Mixversion10B · 83
- Changing - Majestic Remixremix10B · 120
- Changing - Radio Editversion10B · 171
At 171 BPM in D major (10B), Changing is a drum n bass production. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of Sigma's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more treble-tilted than 80% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Changing in?
Changing by Sigma is in D major, or 10B on the Camelot wheel.
What BPM is Changing?
Changing runs at 171 BPM.
What mixes well with Changing?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Changing good for peak time?
With energy 82 out of 100 at 171 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 171 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 161-181 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 171 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 171 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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