Clara by Ravid Goldschmidt cover art
Key
7A · D minor
BPM
152
Half-time
76
Open Key
12m
Energy
33/100
Pop
2/100
Length
4:14
Released
2004
Genre
Experimental
Loudness
-16.1 dB
ISRC
ES8070610153

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast experimental cut, Clara sits in D minor (7A) at 152 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. Brighter than 75% of Ravid Goldschmidt's catalogue.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy33
Mood89Bright
Groove53
Acoustic99
Instrumental97
Live10
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Clara in?

Clara by Ravid Goldschmidt is in D minor, or 7A on the Camelot wheel.

What BPM is Clara?

Clara runs at 152 BPM, a fast track.

What mixes well with Clara?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Clara good for peak time?

With energy 33 out of 100 at 152 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#Track

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 152 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 143-161 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 152 — beatmatch without a big tempo pull.

#Track

More experimental

#Track

More from Ravid Goldschmidt

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 152 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track