Riding out
- BPM
- 107
- Open Key
- 11d
- Energy
- 21/100
- Pop
- 5/100
- Length
- 3:10
- Released
- 2004
- Genre
- Experimental
- Loudness
- -14.3 dB
- ISRC
- ES8070610149
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo experimental cut, Riding out sits in B♭ major (6B) at 107 BPM. The feel is brooding and low-slung. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. Slower than 89% of Ravid Goldschmidt's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 81% of Ravid Goldschmidt's catalogue
- Brightness:
- darker than 81% of Ravid Goldschmidt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Riding out in?
Riding out by Ravid Goldschmidt is in B♭ major, or 6B on the Camelot wheel.
What BPM is Riding out?
Riding out runs at 107 BPM, a mid-tempo track.
What mixes well with Riding out?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Riding out good for peak time?
With energy 21 out of 100 at 107 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 107 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 101-113 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 107 — beatmatch without a big tempo pull.
More experimental
More from Ravid Goldschmidt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 107 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
