Spring 27
30s preview
- Key
- 6A · G minor
- BPM
- 110
- Open Key
- 11m
- Energy
- 16/100
- Pop
- 0/100
- Length
- 1:41
- Released
- 2013
- Genre
- Ambient
- Loudness
- -15.6 dB
- Dynamics
- 12.7 dB
- ISRC
- GBTZZ1300033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Spring 27 - Silent Servant Remixremix11A · 118
A mid-tempo ambient cut, Spring 27 sits in G minor (6A) at 110 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Darker than 99% of Daniel Avery's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Daniel Avery's catalogue
- Low end:
- more treble-tilted than 99% of Daniel Avery's catalogue
- Energy:
- calmer than 95% of Daniel Avery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 15%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 42%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Spring 27 in?
Spring 27 by Daniel Avery is in G minor, or 6A on the Camelot wheel.
What BPM is Spring 27?
Spring 27 runs at 110 BPM, a mid-tempo track.
What mixes well with Spring 27?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Spring 27 good for peak time?
With energy 16 out of 100 at 110 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 110 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More ambient
More from Daniel Avery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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