Drone Logic - Factory Floor Remix by Daniel Avery cover art

Drone Logic - Factory Floor Remix

Daniel Avery

30s preview

Key
12A · D♭ minor
BPM
114
Open Key
5m
Energy
50/100
Pop
0/100
Length
8:12
Released
2013
Album
New Energy [Collected Remixes]
Genre
Ambient
Loudness
-10.9 dB
Dynamics
16.5 dB
ISRC
GBTZZ1300001

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11B at 114 BPM), this version holds the same tempo and moves the key from 11B to 12A.

Drone Logic - Factory Floor Remix runs 114 BPM in D♭ minor (12A), a mid-tempo ambient record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2013 production that still circulates in sets. More underground than 99% of Daniel Avery's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 92% of Daniel Avery's catalogue
Brightness:
brighter than 83% of Daniel Avery's catalogue
Low end:
more bass-heavy than 82% of Daniel Avery's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy50
Mood48Balanced
Groove79
Acoustic0
Instrumental89
Live11
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
5%
High
2.5-11 kHz

FAQ

What key is Drone Logic - Factory Floor Remix in?

Drone Logic - Factory Floor Remix by Daniel Avery is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Drone Logic - Factory Floor Remix?

Drone Logic - Factory Floor Remix runs at 114 BPM, a mid-tempo track.

What mixes well with Drone Logic - Factory Floor Remix?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Drone Logic - Factory Floor Remix good for peak time?

With energy 50 out of 100 at 114 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#Track

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 114 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 114 — beatmatch without a big tempo pull.

#Track

More ambient

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track