Fuzzwar by Daniel Avery cover art

30s preview

Key
8B · C major
BPM
115
Open Key
1d
Energy
45/100
Pop
4/100
Length
4:38
Released
2020
Genre
Ambient
Loudness
-15.5 dB
Dynamics
9.3 dB
ISRC
GBTZZ2000030

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo ambient cut, Fuzzwar sits in C major (8B) at 115 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 81% of Daniel Avery's catalogue. In a set it works best as a warm-up or breakdown cut.

Groove:
groovier than 81% of Daniel Avery's catalogue
Low end:
more bass-heavy than 76% of Daniel Avery's catalogue
Brightness:
darker than 75% of Daniel Avery's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy45
Mood8Dark
Groove68
Acoustic90
Instrumental94
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
38%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
5%
High
2.5-11 kHz

FAQ

What key is Fuzzwar in?

Fuzzwar by Daniel Avery is in C major, or 8B on the Camelot wheel.

What BPM is Fuzzwar?

Fuzzwar runs at 115 BPM, a mid-tempo track.

What mixes well with Fuzzwar?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Fuzzwar good for peak time?

With energy 45 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 115 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 115 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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