Eric Zann Revisited by Daniel Avery cover art

Eric Zann Revisited

Daniel Avery

Key
2B · F♯ major
BPM
117
Open Key
7d
Energy
43/100
Pop
3/100
Length
6:06
Released
2012
Genre
Ambient
Loudness
-10.7 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Eric Zann Revisited runs 117 BPM in F♯ major (2B), a mid-tempo ambient record. The feel is bright and easy. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Brighter than 99% of Daniel Avery's catalogue. For programming, treat it as a warm-up or breakdown cut.

Groove:
groovier than 97% of Daniel Avery's catalogue
Energy:
calmer than 83% of Daniel Avery's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy43
Mood92Bright
Groove81
Acoustic0
Instrumental62
Live4
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Eric Zann Revisited in?

Eric Zann Revisited by Daniel Avery is in F♯ major, or 2B on the Camelot wheel.

What BPM is Eric Zann Revisited?

Eric Zann Revisited runs at 117 BPM, a mid-tempo track.

What mixes well with Eric Zann Revisited?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Eric Zann Revisited good for peak time?

With energy 43 out of 100 at 117 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 117 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 117 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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