The Eagle by Daniel Avery cover art

The Eagle

Daniel Avery

30s preview

Key
7B · F major
BPM
110
Open Key
12d
Energy
61/100
Pop
0/100
Length
6:57
Released
2012
Genre
Ambient
Loudness
-8.3 dB
Dynamics
13.8 dB
ISRC
GBTZZ1200015

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Eagle runs 110 BPM in F major (7B), a mid-tempo ambient record. Tonally it lands dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Groovier than 99% of Daniel Avery's catalogue. For programming, treat it as a mid-set roller.

Reach:
more underground than 99% of Daniel Avery's catalogue
Tempo:
slower than 78% of Daniel Avery's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy61
Mood28Dark
Groove90
Acoustic13
Instrumental55
Live11
Speech17

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is The Eagle in?

The Eagle by Daniel Avery is in F major, or 7B on the Camelot wheel.

What BPM is The Eagle?

The Eagle runs at 110 BPM, a mid-tempo track.

What mixes well with The Eagle?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is The Eagle good for peak time?

With energy 61 out of 100 at 110 BPM, it works best as a mid-set roller.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#Track

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 110 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 110 — beatmatch without a big tempo pull.

#Track

More ambient

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More from Daniel Avery

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track