Knowing we'll be Here - KiNK Remix
30s preview
- Key
- 8B · C major
- BPM
- 121
- Open Key
- 1d
- Energy
- 68/100
- Pop
- 0/100
- Length
- 5:34
- Released
- 2013
- Album
- New Energy [Collected Remixes]
- Genre
- Techno
- Loudness
- -8.4 dB
- Dynamics
- 15.5 dB
- ISRC
- GBTZZ1400007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Knowing We'll Be Hereoriginal8A · 120
Against the original (8A at 120 BPM), this version runs 1 BPM faster and moves the key from 8A to 8B.
Knowing we'll be Here - KiNK Remix: club-tempo techno, C major (8B), 121 BPM. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). A 2013 production that still circulates in sets. More underground than 99% of Daniel Avery's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 79% of Daniel Avery's catalogue
- Brightness:
- darker than 77% of Daniel Avery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Knowing we'll be Here - KiNK Remix in?
Knowing we'll be Here - KiNK Remix by Daniel Avery is in C major, or 8B on the Camelot wheel.
What BPM is Knowing we'll be Here - KiNK Remix?
Knowing we'll be Here - KiNK Remix runs at 121 BPM, a club-tempo track.
What mixes well with Knowing we'll be Here - KiNK Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Knowing we'll be Here - KiNK Remix good for peak time?
With energy 68 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 121 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More techno
More from Daniel Avery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
