Naughty Girls - Original
30s preview
- Key
- 8B · C major
- BPM
- 122
- Open Key
- 1d
- Energy
- 63/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2012
- Album
- Dope Kartel EP
- Genre
- Tech House
- Loudness
- -9.5 dB
- Dynamics
- 11.7 dB
- ISRC
- GBK8D1000041
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Naughty Girls - Original is a club-tempo tech house track in C major (8B) at 122 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of Sishi Rösch's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 87% of Sishi Rösch's catalogue
- Low end:
- more bass-heavy than 81% of Sishi Rösch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Naughty Girls - Original in?
Naughty Girls - Original by Sishi Rösch is in C major, or 8B on the Camelot wheel.
What BPM is Naughty Girls - Original?
Naughty Girls - Original runs at 122 BPM, a club-tempo track.
What mixes well with Naughty Girls - Original?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Naughty Girls - Original good for peak time?
With energy 63 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 122 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Sishi Rösch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
