No Rush
30s preview
- BPM
- 122
- Open Key
- 5d
- Energy
- 62/100
- Pop
- 12/100
- Length
- 5:00
- Released
- 2013
- Genre
- Tech House
- Loudness
- -10.9 dB
- Dynamics
- 13.4 dB
- ISRC
- GBK6Y1201503
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, No Rush sits in E major (12B) at 122 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Slower than 86% of Jamie Jones's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 78% of Jamie Jones's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is No Rush in?
No Rush by Jamie Jones is in E major, or 12B on the Camelot wheel.
What BPM is No Rush?
No Rush runs at 122 BPM, a club-tempo track.
What mixes well with No Rush?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is No Rush good for peak time?
With energy 62 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
![Step by Step (Original Mix] by Kobana cover art](https://i.scdn.co/image/ab67616d00001e0297d2998e630ad339ffdcc93c){kind=small}
How to mix it
In 12B at 122 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
