Planets, Spaceships by Jamie Jones cover art

Planets, Spaceships

Jamie Jones

Key
5B · E♭ major
BPM
122
Open Key
10d
Energy
63/100
Pop
0/100
Length
6:49
Released
2013
Genre
Tech House
Loudness
-8.8 dB
ISRC
GBK6Y1340001

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Planets, Spaceships runs 122 BPM in E♭ major (5B), a club-tempo tech house record. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More underground than 99% of Jamie Jones's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 98% of Jamie Jones's catalogue
Tempo:
slower than 86% of Jamie Jones's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood92Bright
Groove80
Acoustic0
Instrumental87
Live5
Speech7
darkpartyinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Planets, Spaceships in?

Planets, Spaceships by Jamie Jones is in E♭ major, or 5B on the Camelot wheel.

What BPM is Planets, Spaceships?

Planets, Spaceships runs at 122 BPM, a club-tempo track.

What mixes well with Planets, Spaceships?

From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.

Is Planets, Spaceships good for peak time?

With energy 63 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

5B4B · 6B · 5A

From 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.

Every move from 5B

6BSimple Mix Upper
4BSimple Mix Downer
5ATonal Shift·
6ADiagonal Mix Upper
4ADiagonal Mix Downer
8ACompatible Tone·
7BHigh Energy Boost▲▲▲
3BHigh Energy Drain▼▼▼
8BParallel Key Upper▲▲
2BParallel Key Downer▼▼
12BTritone Jump▲▲
9BRelated Keyrisky

How to mix it

In 5B at 122 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Jamie Jones

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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