Don't Touch Me - TDRMC Mix
- BPM
- 122
- Open Key
- 5m
- Energy
- 62/100
- Pop
- 0/100
- Length
- 6:55
- Released
- 2011
- Album
- Don't Touch Me EP
- Genre
- Tech House
- Loudness
- -15.1 dB
- ISRC
- GBXSZ1100002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Touch Meoriginal9B · 125
- Don't Touch Me - Paolo Mojo Mixoriginal6A · 128
- Don't Touch Me - Yousef Circus Reworkremix3A · 126
Don't Touch Me - TDRMC Mix runs 122 BPM in D♭ minor (12A), a club-tempo tech house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Ki Creighton's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 98% of Ki Creighton's catalogue
- Energy:
- calmer than 96% of Ki Creighton's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Don't Touch Me - TDRMC Mix in?
Don't Touch Me - TDRMC Mix by Ki Creighton is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Don't Touch Me - TDRMC Mix?
Don't Touch Me - TDRMC Mix runs at 122 BPM, a club-tempo track.
What mixes well with Don't Touch Me - TDRMC Mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Don't Touch Me - TDRMC Mix good for peak time?
With energy 62 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 122 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Ki Creighton
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
