Empty Floor - DeVante Remix
30s preview
- Key
- 7A · D minor
- BPM
- 122
- Open Key
- 12m
- Energy
- 62/100
- Pop
- 5/100
- Length
- 3:29
- Released
- 2016
- Album
- Remote Control (Remixed Part 1)
- Genre
- Deep House
- Label
- Armada Digital
- Loudness
- -8.9 dB
- Dynamics
- 19.8 dB
- ISRC
- NLF711608991
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Empty Floororiginal7A · 122
- Empty Floororiginal7A · 122
- Empty Floor - DeVante Extended Remixremix7A · 122
- Empty Floororiginal7A · 122
- Empty Floor (Mix Edit)version7A · 122
- Empty Floor - Daniel Stefanik & Mathias Kaden Remixremix10B · 122
Against the original (7A at 122 BPM), this version holds the same tempo in the same key.
A club-tempo deep house cut, Empty Floor - DeVante Remix sits in D minor (7A) at 122 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 20 dB). A 2016 production that still circulates in sets. More treble-tilted than 99% of Jan Blomqvist's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 97% of Jan Blomqvist's catalogue
- Tempo:
- slower than 78% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 18%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Empty Floor - DeVante Remix in?
Empty Floor - DeVante Remix by Jan Blomqvist is in D minor, or 7A on the Camelot wheel.
What BPM is Empty Floor - DeVante Remix?
Empty Floor - DeVante Remix runs at 122 BPM, a club-tempo track.
What mixes well with Empty Floor - DeVante Remix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Empty Floor - DeVante Remix good for peak time?
With energy 62 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 122 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
![Step by Step (Original Mix] by Kobana cover art](https://i.scdn.co/image/ab67616d00001e0297d2998e630ad339ffdcc93c){kind=small}
More deep house
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
