Empty Floor - Daniel Stefanik & Mathias Kaden Remix
30s preview
- BPM
- 122
- Open Key
- 3d
- Energy
- 69/100
- Pop
- 0/100
- Length
- 8:44
- Released
- 2017
- Album
- Remote Control (Remixed)
- Genre
- Deep House
- Loudness
- -8.6 dB
- Dynamics
- 21.7 dB
- ISRC
- NLF711703938
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Empty Floororiginal7A · 122
- Empty Floororiginal7A · 122
- Empty Floor - DeVante Remixremix7A · 122
- Empty Floor - DeVante Extended Remixremix7A · 122
- Empty Floororiginal7A · 122
- Empty Floor (Mix Edit)version7A · 122
Against the original (7A at 122 BPM), this version holds the same tempo and moves the key from 7A to 10B.
Empty Floor - Daniel Stefanik & Mathias Kaden Remix: club-tempo deep house, D major (10B), 122 BPM. Tonally it lands dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 22 dB). A 2017 production that still circulates in sets. More underground than 99% of Jan Blomqvist's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 98% of Jan Blomqvist's catalogue
- Tempo:
- slower than 78% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Empty Floor - Daniel Stefanik & Mathias Kaden Remix in?
Empty Floor - Daniel Stefanik & Mathias Kaden Remix by Jan Blomqvist is in D major, or 10B on the Camelot wheel.
What BPM is Empty Floor - Daniel Stefanik & Mathias Kaden Remix?
Empty Floor - Daniel Stefanik & Mathias Kaden Remix runs at 122 BPM, a club-tempo track.
What mixes well with Empty Floor - Daniel Stefanik & Mathias Kaden Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Empty Floor - Daniel Stefanik & Mathias Kaden Remix good for peak time?
With energy 69 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
