Morning Bells - Markus Homm Remix
30s preview
- BPM
- 122
- Open Key
- 3m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 7:07
- Released
- 2013
- Album
- Morning Bells / Voltiger
- Genre
- Deep House
- Loudness
- -8.0 dB
- Dynamics
- 11.2 dB
- ISRC
- DEKB71374345
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Morning Bellsoriginal8A · 122
- Morning Bells - Markus Homm Remixremix10A · 122
- Morning Bells - Original Mixoriginal8A · 122
Against the original (8A at 122 BPM), this version holds the same tempo and moves the key from 8A to 10A.
Morning Bells - Markus Homm Remix is a club-tempo deep house track in B minor (10A) at 122 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2013 production that still circulates in sets. More underground than 99% of Gorje Hewek's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 93% of Gorje Hewek's catalogue
- Brightness:
- brighter than 91% of Gorje Hewek's catalogue
- Low end:
- more bass-heavy than 90% of Gorje Hewek's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Morning Bells - Markus Homm Remix in?
Morning Bells - Markus Homm Remix by Gorje Hewek is in B minor, or 10A on the Camelot wheel.
What BPM is Morning Bells - Markus Homm Remix?
Morning Bells - Markus Homm Remix runs at 122 BPM, a club-tempo track.
What mixes well with Morning Bells - Markus Homm Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Morning Bells - Markus Homm Remix good for peak time?
With energy 61 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 122 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
![Step by Step (Original Mix] by Kobana cover art](https://i.scdn.co/image/ab67616d00001e0297d2998e630ad339ffdcc93c){kind=small}
More from Gorje Hewek
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
