Glass
30s preview
- Key
- 7A · D minor
- BPM
- 117
- Open Key
- 12m
- Energy
- 32/100
- Pop
- 22/100
- Length
- 2:00
- Released
- 2020
- Album
- Soundtracks: Equals Sessions
- Genre
- Ambient
- Label
- It's Complicated Records
- Loudness
- -15.2 dB
- Dynamics
- 13.7 dB
- ISRC
- DEX262000713
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo ambient cut, Glass sits in D minor (7A) at 117 BPM. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Darker than 97% of Apparat's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 96% of Apparat's catalogue
- Reach:
- better known than 91% of Apparat's catalogue
- Energy:
- calmer than 84% of Apparat's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Glass in?
Glass by Apparat is in D minor, or 7A on the Camelot wheel.
What BPM is Glass?
Glass runs at 117 BPM, a mid-tempo track.
What mixes well with Glass?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Glass good for peak time?
With energy 32 out of 100 at 117 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 117 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
