Attack of the Mutant Camels
30s preview
- Key
- 8B · C major
- BPM
- 200
- Half-time
- 100
- Open Key
- 1d
- Energy
- 49/100
- Pop
- 0/100
- Length
- 3:25
- Released
- 2009
- Genre
- Ambient
- Loudness
- -7.2 dB
- Dynamics
- 9.4 dB
- ISRC
- DELG70900133
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 200 BPM in C major (8B), Attack of the Mutant Camels is an ambient production. Tonally it lands balanced in mood. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2009 production that still circulates in sets. Faster than 99% of Planetary Assault Systems's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Planetary Assault Systems's catalogue
- Groove:
- less groove-driven than 95% of Planetary Assault Systems's catalogue
- Energy:
- calmer than 89% of Planetary Assault Systems's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Attack of the Mutant Camels in?
Attack of the Mutant Camels by Planetary Assault Systems is in C major, or 8B on the Camelot wheel.
What BPM is Attack of the Mutant Camels?
Attack of the Mutant Camels runs at 200 BPM.
What mixes well with Attack of the Mutant Camels?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Attack of the Mutant Camels good for peak time?
With energy 49 out of 100 at 200 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 200 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 188-212 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 200 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 200 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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