Another Planet - Live at Brixton Academy
30s preview
- BPM
- 173
- Half-time
- 87
- Open Key
- 8d
- Energy
- 92/100
- Pop
- 4/100
- Length
- 4:26
- Released
- 2009
- Album
- Live at Brixton Academy
- Genre
- Drum N Bass
- Loudness
- -7.2 dB
- Dynamics
- 15.7 dB
- ISRC
- GBAHT0900246
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Another Planet - Original Mixoriginal2B · 173
Against the original (2B at 173 BPM), this version holds the same tempo and moves the key from 2B to 3B.
At 173 BPM in D♭ major (3B), Another Planet - Live at Brixton Academy is a drum n bass production. Tonally it lands dark and driving. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). A 2009 production that still circulates in sets. Less groove-driven than 84% of Pendulum's catalogue. In a set it works best as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Another Planet - Live at Brixton Academy in?
Another Planet - Live at Brixton Academy by Pendulum is in D♭ major, or 3B on the Camelot wheel.
What BPM is Another Planet - Live at Brixton Academy?
Another Planet - Live at Brixton Academy runs at 173 BPM.
What mixes well with Another Planet - Live at Brixton Academy?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Another Planet - Live at Brixton Academy good for peak time?
With energy 92 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 173 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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