Wish You Were Here - Instrumental
30s preview
- BPM
- 173
- Half-time
- 87
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 5:50
- Released
- 2012
- Album
- The Agony & The Ecstasy
- Genre
- Drum N Bass
- Loudness
- -3.4 dB
- Dynamics
- 15.5 dB
- ISRC
- GBCJY1200028
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Wish You Were Hereoriginal10A · 173
Against the original (10A at 173 BPM), this version holds the same tempo in the same key.
Wish You Were Here - Instrumental is a drum n bass track in B minor (10A) at 173 BPM. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2012 production that still circulates in sets. More underground than 99% of High Contrast's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more treble-tilted than 89% of High Contrast's catalogue
- Brightness:
- darker than 80% of High Contrast's catalogue
- Groove:
- less groove-driven than 79% of High Contrast's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Wish You Were Here - Instrumental in?
Wish You Were Here - Instrumental by High Contrast is in B minor, or 10A on the Camelot wheel.
What BPM is Wish You Were Here - Instrumental?
Wish You Were Here - Instrumental runs at 173 BPM.
What mixes well with Wish You Were Here - Instrumental?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Wish You Were Here - Instrumental good for peak time?
With energy 94 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 173 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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