In Reach
30s preview
- BPM
- 127
- Open Key
- 7m
- Energy
- 45/100
- Pop
- 3/100
- Length
- 2:08
- Released
- 2002
- Genre
- Techno
- Loudness
- -15.1 dB
- Dynamics
- 14.1 dB
- ISRC
- GBLFP0204301
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
In Reach is a peak-time tempo techno track in E♭ minor (2A) at 127 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2002 production that still circulates in sets. More treble-tilted than 96% of Paula Temple's catalogue.
- Energy:
- calmer than 95% of Paula Temple's catalogue
- Tempo:
- slower than 95% of Paula Temple's catalogue
- Groove:
- less groove-driven than 86% of Paula Temple's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is In Reach in?
In Reach by Paula Temple is in E♭ minor, or 2A on the Camelot wheel.
What BPM is In Reach?
In Reach runs at 127 BPM, a peak-time tempo track.
What mixes well with In Reach?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is In Reach good for peak time?
With energy 45 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 127 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Paula Temple
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Syntax [Two] by Richie Hawtin cover art](https://i.scdn.co/image/ab67616d00001e029d1f9d69ee62c902cc2eb981){kind=small}
