Yield by Recondite cover art

30s preview

Key
3A · B♭ minor
BPM
124
Open Key
8m
Energy
46/100
Pop
0/100
Length
6:51
Released
2011
Genre
Techno
Loudness
-14.1 dB
Dynamics
9.0 dB
ISRC
NLL561203585

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Yield is a club-tempo techno track in B♭ minor (3A) at 124 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Recondite's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 82% of Recondite's catalogue
Low end:
more bass-heavy than 80% of Recondite's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy46
Mood34Balanced
Groove81
Acoustic2
Instrumental92
Live10
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
51%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
11%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is Yield in?

Yield by Recondite is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Yield?

Yield runs at 124 BPM, a club-tempo track.

What mixes well with Yield?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Yield good for peak time?

With energy 46 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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