Wir sind Wir (radio version)
- BPM
- 90
- Double-time
- 180
- Open Key
- 4d
- Energy
- 24/100
- Pop
- 0/100
- Length
- 3:58
- Released
- 2004
- Genre
- Ambient
- Loudness
- -10.9 dB
- ISRC
- DEN120408240
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 90 BPM in A major (11B), Wir sind Wir (radio version) is a slow-groove tempo ambient production. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. Calmer than 99% of Paul van Dyk's catalogue.
- Tempo:
- slower than 99% of Paul van Dyk's catalogue
- Reach:
- more underground than 99% of Paul van Dyk's catalogue
- Groove:
- less groove-driven than 96% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Wir sind Wir (radio version) in?
Wir sind Wir (radio version) by Paul van Dyk is in A major, or 11B on the Camelot wheel.
What BPM is Wir sind Wir (radio version)?
Wir sind Wir (radio version) runs at 90 BPM, a slow-groove tempo track.
What mixes well with Wir sind Wir (radio version)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Wir sind Wir (radio version) good for peak time?
With energy 24 out of 100 at 90 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 90 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 85-95 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 90 — beatmatch without a big tempo pull.
More ambient
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 90 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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