Les nuits noires (We got us)
30s preview
- BPM
- 98
- Double-time
- 196
- Open Key
- 4m
- Energy
- 65/100
- Pop
- 2/100
- Length
- 3:14
- Released
- 2014
- Genre
- Indie Pop
- Loudness
- -6.7 dB
- Dynamics
- 10.4 dB
- ISRC
- FRUM71400504
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Les nuits noires (We got us) runs 98 BPM in F♯ minor (11A), a slow-groove tempo indie pop record. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Groovier than 86% of Olympe's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more bass-heavy than 77% of Olympe's catalogue
- Energy:
- hotter than 76% of Olympe's catalogue
- Tempo:
- slower than 76% of Olympe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Les nuits noires (We got us) in?
Les nuits noires (We got us) by Olympe is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Les nuits noires (We got us)?
Les nuits noires (We got us) runs at 98 BPM, a slow-groove tempo track.
What mixes well with Les nuits noires (We got us)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Les nuits noires (We got us) good for peak time?
With energy 65 out of 100 at 98 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 98 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 92-104 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 98 — beatmatch without a big tempo pull.
More indie pop
More from Olympe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 98 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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