Good Old Times C by O.B.I. cover art

Good Old Times C

O.B.I.

30s preview

Key
9B · G major
BPM
145
Half-time
73
Open Key
2d
Energy
100/100
Pop
1/100
Length
5:05
Released
2021
Album
Good Old Times EP
Genre
Techno
Label
Suara
Loudness
-3.8 dB
Dynamics
9.4 dB
ISRC
QMBZ92185762

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Good Old Times C sits in G major (9B) at 145 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Slower than 96% of O.B.I.'s catalogue.

Brightness:
darker than 90% of O.B.I.'s catalogue
Energy:
hotter than 88% of O.B.I.'s catalogue
Groove:
groovier than 76% of O.B.I.'s catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood4Dark
Groove68
Acoustic0
Instrumental85
Live35
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Good Old Times C in?

Good Old Times C by O.B.I. is in G major, or 9B on the Camelot wheel.

What BPM is Good Old Times C?

Good Old Times C runs at 145 BPM, a driving up-tempo track.

What mixes well with Good Old Times C?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Good Old Times C good for peak time?

With energy 100 out of 100 at 145 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 145 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 145 — beatmatch without a big tempo pull.

#Track

More techno

#Track

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track