K-Force by Marcus L cover art

K-Force

Marcus L

30s preview

Key
3B · D♭ major
BPM
145
Half-time
73
Open Key
8d
Energy
100/100
Pop
0/100
Length
5:15
Released
2021
Genre
Techno
Loudness
-5.2 dB
Dynamics
12.6 dB
ISRC
GBKQU2112022

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

K-Force runs 145 BPM in D♭ major (3B), a driving up-tempo techno record. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Marcus L's catalogue. In a set it works best as a high-intensity peak cut.

Low end:
more treble-tilted than 99% of Marcus L's catalogue
Energy:
hotter than 87% of Marcus L's catalogue
Brightness:
brighter than 80% of Marcus L's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood71Bright
Groove58
Acoustic0
Instrumental87
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is K-Force in?

K-Force by Marcus L is in D♭ major, or 3B on the Camelot wheel.

What BPM is K-Force?

K-Force runs at 145 BPM, a driving up-tempo track.

What mixes well with K-Force?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is K-Force good for peak time?

With energy 100 out of 100 at 145 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 145 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 145 — beatmatch without a big tempo pull.

#Track

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#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track