Kimchi Slap - Hadone Remix
30s preview
- Key
- 4A · F minor
- BPM
- 142
- Half-time
- 71
- Open Key
- 9m
- Energy
- 88/100
- Pop
- 3/100
- Length
- 5:57
- Released
- 2020
- Album
- Kimchi Slap
- Genre
- Techno
- Label
- Intrepid Skin
- Loudness
- -8.4 dB
- Dynamics
- 9.9 dB
- ISRC
- QZK6J2081430
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kimchi Slaporiginal3B · 148
Against the original (3B at 148 BPM), this version runs 6 BPM slower and moves the key from 3B to 4A.
Kimchi Slap - Hadone Remix runs 142 BPM in F minor (4A), a driving up-tempo techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 93% of Marcus L's catalogue.
- Reach:
- better known than 87% of Marcus L's catalogue
- Low end:
- more bass-heavy than 83% of Marcus L's catalogue
- Groove:
- less groove-driven than 80% of Marcus L's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Kimchi Slap - Hadone Remix in?
Kimchi Slap - Hadone Remix by Marcus L is in F minor, or 4A on the Camelot wheel.
What BPM is Kimchi Slap - Hadone Remix?
Kimchi Slap - Hadone Remix runs at 142 BPM, a driving up-tempo track.
What mixes well with Kimchi Slap - Hadone Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Kimchi Slap - Hadone Remix good for peak time?
With energy 88 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 142 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
