Triple Threat
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 8m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 4:54
- Released
- 2023
- Album
- Opal EP
- Genre
- Techno
- Label
- Contempo
- Loudness
- -10.8 dB
- Dynamics
- 10.0 dB
- ISRC
- FRX452391607
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Triple Threatoriginal3A · 142
At 142 BPM in B♭ minor (3A), Triple Threat is a driving up-tempo techno production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Marc Faenger's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 95% of Marc Faenger's catalogue
- Groove:
- less groove-driven than 81% of Marc Faenger's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Triple Threat in?
Triple Threat by Marc Faenger is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Triple Threat?
Triple Threat runs at 142 BPM, a driving up-tempo track.
What mixes well with Triple Threat?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Triple Threat good for peak time?
With energy 92 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 142 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More techno
More from Marc Faenger
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
