Outer Reach by Nourey cover art

Outer Reach

Nourey

30s preview

Key
11B · A major
BPM
95
Double-time
190
Open Key
4d
Energy
33/100
Pop
6/100
Length
5:23
Released
2021
Genre
Breaks
Loudness
-12.5 dB
Dynamics
10.0 dB
ISRC
GBEWA2103344

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A slow-groove tempo breaks cut, Outer Reach sits in A major (11B) at 95 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 98% of Nourey's catalogue. For programming, treat it as a warm-up or breakdown cut.

Energy:
calmer than 96% of Nourey's catalogue
Groove:
less groove-driven than 96% of Nourey's catalogue
Brightness:
darker than 95% of Nourey's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy33
Mood4Dark
Groove28
Acoustic92
Instrumental89
Live14
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
6%
High
2.5-11 kHz

FAQ

What key is Outer Reach in?

Outer Reach by Nourey is in A major, or 11B on the Camelot wheel.

What BPM is Outer Reach?

Outer Reach runs at 95 BPM, a slow-groove tempo track.

What mixes well with Outer Reach?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Outer Reach good for peak time?

With energy 33 out of 100 at 95 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#Track

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 95 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 95 — beatmatch without a big tempo pull.

#Track

More breaks

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track