Trektor by Tinlicker cover art

Trektor

Tinlicker

30s preview

Key
11A · F♯ minor
BPM
192
Half-time
96
Open Key
4m
Energy
38/100
Pop
5/100
Length
7:34
Released
2013
Genre
Breaks
Loudness
-12.0 dB
Dynamics
9.8 dB
ISRC
USQY51335423

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A breaks cut, Trektor sits in F♯ minor (11A) at 192 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Calmer than 99% of Tinlicker's catalogue.

Tempo:
faster than 99% of Tinlicker's catalogue
Low end:
more bass-heavy than 94% of Tinlicker's catalogue
Brightness:
brighter than 75% of Tinlicker's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy38
Mood23Dark
Groove64
Acoustic22
Instrumental86
Live11
Speech8
darkpartyinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is Trektor in?

Trektor by Tinlicker is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Trektor?

Trektor runs at 192 BPM.

What mixes well with Trektor?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Trektor good for peak time?

With energy 38 out of 100 at 192 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#Track

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 192 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 180-204 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 192 — beatmatch without a big tempo pull.

#Track

More breaks

#Track

More from Tinlicker

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 192 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track