All for You by Fabich cover art

All for You

Fabich

30s preview

Key
12A · D♭ minor
BPM
96
Double-time
192
Open Key
5m
Energy
57/100
Pop
0/100
Length
3:57
Released
2020
Genre
House
Loudness
-8.7 dB
Dynamics
15.6 dB
ISRC
FRD9M2001180

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

All for You: slow-groove tempo house, D♭ minor (12A), 96 BPM. Tonally it lands balanced in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of Fabich's catalogue. For programming, treat it as an opener or closing-set piece.

Tempo:
slower than 93% of Fabich's catalogue
Low end:
more treble-tilted than 89% of Fabich's catalogue
Energy:
calmer than 79% of Fabich's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy57
Mood55Balanced
Groove67
Acoustic31
Instrumental0
Live27
Speech24

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is All for You in?

All for You by Fabich is in D♭ minor, or 12A on the Camelot wheel.

What BPM is All for You?

All for You runs at 96 BPM, a slow-groove tempo track.

What mixes well with All for You?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is All for You good for peak time?

With energy 57 out of 100 at 96 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 96 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 90-102 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 96 — beatmatch without a big tempo pull.

More house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 96 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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