Paris (Global Underground) CD1
- BPM
- 100
- Double-time
- 200
- Open Key
- 4m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 60:55
- Released
- 2007
- Album
- Nick Warren - Paris (Global Underground)
- Genre
- Breaks
- Loudness
- -9.6 dB
- ISRC
- GBHFW0600524
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Paris (Global Underground) CD2original3B · 127
Paris (Global Underground) CD1 is a slow-groove tempo breaks track in F♯ minor (11A) at 100 BPM. It reads as dark and driving. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. Slower than 99% of Nick Warren's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Nick Warren's catalogue
- Groove:
- less groove-driven than 90% of Nick Warren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Paris (Global Underground) CD1 in?
Paris (Global Underground) CD1 by Nick Warren is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Paris (Global Underground) CD1?
Paris (Global Underground) CD1 runs at 100 BPM, a slow-groove tempo track.
What mixes well with Paris (Global Underground) CD1?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Paris (Global Underground) CD1 good for peak time?
With energy 72 out of 100 at 100 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 100 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More breaks
More from Nick Warren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
