Trouble Shooter - Dub Mix
30s preview
- BPM
- 155
- Half-time
- 78
- Open Key
- 4d
- Energy
- 97/100
- Pop
- 26/100
- Length
- 4:53
- Released
- 2022
- Album
- Trouble Shooter (Dub Mix)
- Genre
- Techno
- Loudness
- -6.7 dB
- Dynamics
- 10.8 dB
- ISRC
- QM6N22256181
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Trouble Shooter - Dub Mix runs 155 BPM in A major (11B), a fast techno record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 96% of Marlon Hoffstadt's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 88% of Marlon Hoffstadt's catalogue
- Brightness:
- darker than 85% of Marlon Hoffstadt's catalogue
- Groove:
- less groove-driven than 82% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Trouble Shooter - Dub Mix in?
Trouble Shooter - Dub Mix by Marlon Hoffstadt is in A major, or 11B on the Camelot wheel.
What BPM is Trouble Shooter - Dub Mix?
Trouble Shooter - Dub Mix runs at 155 BPM, a fast track.
What mixes well with Trouble Shooter - Dub Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Trouble Shooter - Dub Mix good for peak time?
With energy 97 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 155 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More techno
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
