Elevate by Marlon Hoffstadt cover art

30s preview

Key
12A · D♭ minor
BPM
122
Open Key
5m
Energy
56/100
Pop
1/100
Length
7:57
Released
2016
Genre
House
Loudness
-11.5 dB
Dynamics
9.0 dB
ISRC
DETB31800791

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Elevate is a club-tempo house track in D♭ minor (12A) at 122 BPM. The feel is balanced in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More bass-heavy than 97% of Marlon Hoffstadt's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 91% of Marlon Hoffstadt's catalogue
Tempo:
slower than 80% of Marlon Hoffstadt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy56
Mood52Balanced
Groove76
Acoustic0
Instrumental70
Live13
Speech13

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
54%
Low
30-130 Hz
36%
Low-mid
130-570 Hz
4%
Upper-mid
570 Hz-2.5 kHz
6%
High
2.5-11 kHz

FAQ

What key is Elevate in?

Elevate by Marlon Hoffstadt is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Elevate?

Elevate runs at 122 BPM, a club-tempo track.

What mixes well with Elevate?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Elevate good for peak time?

With energy 56 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 122 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More house

More from Marlon Hoffstadt

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track