Last Light
- Key
- 6A · G minor
- BPM
- 150
- Half-time
- 75
- Open Key
- 11m
- Energy
- 71/100
- Pop
- 0/100
- Length
- 4:22
- Released
- 2020
- Album
- Escape [Further]
- Genre
- Trance
- Loudness
- -12.3 dB
- ISRC
- NLE712001057
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Last Light runs 150 BPM in G minor (6A), a fast trance record. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Faster than 99% of Markus Schulz's catalogue.
- Reach:
- more underground than 99% of Markus Schulz's catalogue
- Groove:
- less groove-driven than 83% of Markus Schulz's catalogue
- Energy:
- calmer than 79% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Last Light in?
Last Light by Markus Schulz is in G minor, or 6A on the Camelot wheel.
What BPM is Last Light?
Last Light runs at 150 BPM, a fast track.
What mixes well with Last Light?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Last Light good for peak time?
With energy 71 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 150 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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