Reckless (Standerwick remix)
- Key
- 7B · F major
- BPM
- 150
- Half-time
- 75
- Open Key
- 12d
- Energy
- 85/100
- Pop
- 19/100
- Length
- 3:31
- Released
- 2016
- Genre
- Trance
- Loudness
- -3.9 dB
- ISRC
- BEB681600419
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 150 BPM in F major (7B), Reckless (Standerwick remix) is a fast trance production. It reads as dark and driving. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Faster than 94% of Gareth Emery's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 94% of Gareth Emery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Reckless (Standerwick remix) in?
Reckless (Standerwick remix) by Gareth Emery is in F major, or 7B on the Camelot wheel.
What BPM is Reckless (Standerwick remix)?
Reckless (Standerwick remix) runs at 150 BPM, a fast track.
What mixes well with Reckless (Standerwick remix)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Reckless (Standerwick remix) good for peak time?
With energy 85 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 150 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More trance
More from Gareth Emery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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