Never Alone - Extended Mix
30s preview
- Key
- 8B · C major
- BPM
- 150
- Half-time
- 75
- Open Key
- 1d
- Energy
- 99/100
- Pop
- 3/100
- Length
- 4:47
- Released
- 2025
- Album
- Never Alone
- Genre
- Trance
- Label
- Extatic Records
- Loudness
- -5.6 dB
- Dynamics
- 11.6 dB
- ISRC
- NLQ8D2500273
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Never Aloneoriginal3A · 150
Against the original (3A at 150 BPM), this version holds the same tempo and moves the key from 3A to 8B.
Never Alone - Extended Mix is a fast trance track in C major (8B) at 150 BPM. Tonally it lands punchy, neutral in mood. The master keeps unusual dynamic range for club music (crest 12 dB). Groovier than 95% of Maddix's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 92% of Maddix's catalogue
- Brightness:
- brighter than 92% of Maddix's catalogue
- Low end:
- more treble-tilted than 83% of Maddix's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Never Alone - Extended Mix in?
Never Alone - Extended Mix by Maddix is in C major, or 8B on the Camelot wheel.
What BPM is Never Alone - Extended Mix?
Never Alone - Extended Mix runs at 150 BPM, a fast track.
What mixes well with Never Alone - Extended Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Never Alone - Extended Mix good for peak time?
With energy 99 out of 100 at 150 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 150 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
