Lose This Feeling - Extended Mix
- Key
- 4A · F minor
- BPM
- 150
- Half-time
- 75
- Open Key
- 9m
- Energy
- 80/100
- Pop
- 9/100
- Length
- 4:10
- Released
- 2023
- Album
- Lose This Feeling
- Genre
- Trance
- Loudness
- -7.6 dB
- ISRC
- NLF712305667
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lose This Feeling - Dimension Remixremix5A · 174
- Lose This Feelingoriginal5A · 150
- Lose This Feeling - Dimension Extended Remixremix5A · 174
- Lose This Feeling - Maddix Extended Remixremix6B · 160
- Lose This Feeling - Maddix Remixremix5B · 160
Against the original (5A at 150 BPM), this version holds the same tempo and moves the key from 5A to 4A.
Lose This Feeling - Extended Mix runs 150 BPM in F minor (4A), a fast trance record. The mix is almost entirely instrumental. Faster than 94% of Armin van Buuren's catalogue.
- Brightness:
- brighter than 89% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Lose This Feeling - Extended Mix in?
Lose This Feeling - Extended Mix by Armin van Buuren is in F minor, or 4A on the Camelot wheel.
What BPM is Lose This Feeling - Extended Mix?
Lose This Feeling - Extended Mix runs at 150 BPM, a fast track.
What mixes well with Lose This Feeling - Extended Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Lose This Feeling - Extended Mix good for peak time?
With energy 80 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 150 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.