Mhysa's Point Of No Return
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 7d
- Energy
- 63/100
- Pop
- 3/100
- Length
- 5:39
- Released
- 2018
- Album
- Galactic Transmissions
- Genre
- Trance
- Loudness
- -9.6 dB
- Dynamics
- 13.0 dB
- ISRC
- GBFFM1811602
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Mhysa's Point Of No Return runs 150 BPM in F♯ major (2B), a fast trance record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Faster than 99% of John 00 Fleming's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 94% of John 00 Fleming's catalogue
- Energy:
- calmer than 89% of John 00 Fleming's catalogue
- Reach:
- better known than 85% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Mhysa's Point Of No Return in?
Mhysa's Point Of No Return by John 00 Fleming is in F♯ major, or 2B on the Camelot wheel.
What BPM is Mhysa's Point Of No Return?
Mhysa's Point Of No Return runs at 150 BPM, a fast track.
What mixes well with Mhysa's Point Of No Return?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Mhysa's Point Of No Return good for peak time?
With energy 63 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 150 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More trance
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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