Avalon 6AM - DR. DRTY Extended Rmx
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 5:45
- Released
- 2022
- Album
- Avalon 6AM (DR. DRTY Remix)
- Genre
- Trance
- Loudness
- -6.6 dB
- Dynamics
- 9.4 dB
- ISRC
- NLD682200392
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Avalon 6AM (Destinations 23) - DR. DRTY Remixremix9B · 128
- Avalon 6AMoriginal9B · 128
- Avalon 6AM - DR. DRTY Remixremix9B · 128
Against the original (9B at 128 BPM), this version holds the same tempo in the same key.
Avalon 6AM - DR. DRTY Extended Rmx: peak-time tempo trance, G major (9B), 128 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 98% of Markus Schulz's catalogue
- Brightness:
- brighter than 97% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Avalon 6AM - DR. DRTY Extended Rmx in?
Avalon 6AM - DR. DRTY Extended Rmx by Markus Schulz is in G major, or 9B on the Camelot wheel.
What BPM is Avalon 6AM - DR. DRTY Extended Rmx?
Avalon 6AM - DR. DRTY Extended Rmx runs at 128 BPM, a peak-time tempo track.
What mixes well with Avalon 6AM - DR. DRTY Extended Rmx?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Avalon 6AM - DR. DRTY Extended Rmx good for peak time?
With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Bine Facut [Bucharest] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02732ea494075fbb6a04876a9d){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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