![Bine Facut [Bucharest] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02732ea494075fbb6a04876a9d)
Bine Facut [Bucharest]
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 5:41
- Released
- 2016
- Album
- City Series Collection
- Genre
- Trance
- Loudness
- -5.5 dB
- ISRC
- NLD681500133
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bine Facut [Bucharest] - Radio Editversion9B · 128
Bine Facut [Bucharest] is a peak-time tempo trance track in G major (9B) at 128 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 96% of Markus Schulz's catalogue
- Brightness:
- brighter than 86% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Bine Facut [Bucharest] in?
Bine Facut [Bucharest] by Markus Schulz is in G major, or 9B on the Camelot wheel.
What BPM is Bine Facut [Bucharest]?
Bine Facut [Bucharest] runs at 128 BPM, a peak-time tempo track.
What mixes well with Bine Facut [Bucharest]?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Bine Facut [Bucharest] good for peak time?
With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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