The Rhythm of the Rain by Mark Farina cover art

The Rhythm of the Rain

Mark Farina

Key
4B · A♭ major
BPM
146
Half-time
73
Open Key
9d
Energy
51/100
Pop
0/100
Length
6:26
Released
1992
Album
The Red Monster
Genre
Eurobeat
Loudness
-11.5 dB
ISRC
HKH311400147

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Rhythm of the Rain runs 146 BPM in A♭ major (4B), a fast eurobeat record. It is vocal-led. The master keeps real dynamic headroom. A 1992 production that still circulates in sets. More underground than 99% of Mark Farina's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 98% of Mark Farina's catalogue
Groove:
less groove-driven than 97% of Mark Farina's catalogue
Energy:
calmer than 84% of Mark Farina's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy51
Mood38Balanced
Groove58
Acoustic2
Instrumental0
Live6
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Rhythm of the Rain in?

The Rhythm of the Rain by Mark Farina is in A♭ major, or 4B on the Camelot wheel.

What BPM is The Rhythm of the Rain?

The Rhythm of the Rain runs at 146 BPM, a fast track.

What mixes well with The Rhythm of the Rain?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is The Rhythm of the Rain good for peak time?

With energy 51 out of 100 at 146 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 146 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 137-155 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 146 — beatmatch without a big tempo pull.

#TrackKey·BPM

More eurobeat

#TrackKey·BPM

More from Mark Farina

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 146 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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