Trumpet - Two_EM Remix
30s preview
- Key
- 6A · G minor
- BPM
- 130
- Open Key
- 11m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 7:27
- Released
- 2008
- Album
- This Town EP
- Genre
- Techno
- Loudness
- -11.4 dB
- Dynamics
- 13.1 dB
- ISRC
- DECY50895082
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trumpet - Original Mixoriginal5B · 128
Against the original (5B at 128 BPM), this version runs 2 BPM faster and moves the key from 5B to 6A.
At 130 BPM in G minor (6A), Trumpet - Two_EM Remix is a peak-time tempo techno production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2008 production that still circulates in sets. More underground than 99% of Mark Broom's catalogue. In a set it works best as a floor-filler.
- Brightness:
- darker than 77% of Mark Broom's catalogue
- Groove:
- groovier than 75% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Trumpet - Two_EM Remix in?
Trumpet - Two_EM Remix by Mark Broom is in G minor, or 6A on the Camelot wheel.
What BPM is Trumpet - Two_EM Remix?
Trumpet - Two_EM Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Trumpet - Two_EM Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Trumpet - Two_EM Remix good for peak time?
With energy 72 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 130 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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