The Player - Jake Childs Remix
- BPM
- 130
- Open Key
- 4d
- Energy
- 72/100
- Pop
- 2/100
- Length
- 7:03
- Released
- 2012
- Album
- The Player (Beats and Dubs) [Remixes]
- Genre
- Techno
- Loudness
- -6.9 dB
- ISRC
- AUXN21200168
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Playeroriginal1B · 126
- The Player - Onionz Remixremix3A · 130
- The Player - Flavio Diaz Remixremix4B · 127
- The Player - Joe Brunning & John McGough Remixremix4B · 131
- The Player - Lucas Keizer Remixremix3B · 128
- The Player - Rino Cerrone Remixremix8B · 127
Against the original (1B at 126 BPM), this version runs 4 BPM faster and moves the key from 1B to 11B.
A peak-time tempo techno cut, The Player - Jake Childs Remix sits in A major (11B) at 130 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. Groovier than 98% of Carl Cox's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 90% of Carl Cox's catalogue
- Energy:
- calmer than 81% of Carl Cox's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Player - Jake Childs Remix in?
The Player - Jake Childs Remix by Carl Cox is in A major, or 11B on the Camelot wheel.
What BPM is The Player - Jake Childs Remix?
The Player - Jake Childs Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with The Player - Jake Childs Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is The Player - Jake Childs Remix good for peak time?
With energy 72 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 130 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
![The One (feat. Jocelyn Brown) [HAAi Remix] by HAAi cover art](https://i.scdn.co/image/ab67616d00001e0217ffda6e3237e3ad0503fad8){kind=small}
More from Carl Cox
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
