The One (feat. Jocelyn Brown) [HAAi Remix]
30s preview
- BPM
- 130
- Open Key
- 8d
- Energy
- 72/100
- Pop
- 0/100
- Length
- 5:10
- Released
- 2025
- Genre
- Techno
- Loudness
- -6.9 dB
- Dynamics
- 15.1 dB
- ISRC
- USA2P2510230
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The One (feat. Jocelyn Brown) [HAAi Remix] is a peak-time tempo techno track in D♭ major (3B) at 130 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 15 dB). More underground than 99% of HAAi's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 93% of HAAi's catalogue
- Groove:
- groovier than 88% of HAAi's catalogue
- Brightness:
- darker than 85% of HAAi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 23%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 24%
- High
- 2.5-11 kHz
FAQ
What key is The One (feat. Jocelyn Brown) [HAAi Remix] in?
The One (feat. Jocelyn Brown) [HAAi Remix] by HAAi is in D♭ major, or 3B on the Camelot wheel.
What BPM is The One (feat. Jocelyn Brown) [HAAi Remix]?
The One (feat. Jocelyn Brown) [HAAi Remix] runs at 130 BPM, a peak-time tempo track.
What mixes well with The One (feat. Jocelyn Brown) [HAAi Remix]?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The One (feat. Jocelyn Brown) [HAAi Remix] good for peak time?
With energy 72 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from HAAi
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.