Make some noise
30s preview
- Key
- 4A · F minor
- BPM
- 130
- Open Key
- 9m
- Energy
- 73/100
- Pop
- 0/100
- Length
- 5:59
- Released
- 2018
- Album
- If you
- Genre
- Techno
- Loudness
- -6.8 dB
- Dynamics
- 8.2 dB
- ISRC
- CA5KR1836417
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 130 BPM in F minor (4A), Make some noise is a peak-time tempo techno production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of AnGy KoRe's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 95% of AnGy KoRe's catalogue
- Low end:
- more bass-heavy than 82% of AnGy KoRe's catalogue
- Energy:
- calmer than 78% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Make some noise in?
Make some noise by AnGy KoRe is in F minor, or 4A on the Camelot wheel.
What BPM is Make some noise?
Make some noise runs at 130 BPM, a peak-time tempo track.
What mixes well with Make some noise?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Make some noise good for peak time?
With energy 73 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 130 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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