Highs and Lows - Mihalis Safras Remix
- BPM
- 122
- Open Key
- 8d
- Energy
- 42/100
- Pop
- 0/100
- Length
- 6:18
- Released
- 2007
- Album
- Highs and Lows
- Genre
- Techno
- Loudness
- -16.5 dB
- ISRC
- NLCK40900780
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Highs and Lowsoriginal9B · 127
Against the original (9B at 127 BPM), this version runs 5 BPM slower and moves the key from 9B to 3B.
Highs and Lows - Mihalis Safras Remix runs 122 BPM in D♭ major (3B), a club-tempo techno record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Spoken-word passages run through it. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Calmer than 99% of Mark Broom's catalogue.
- Tempo:
- slower than 99% of Mark Broom's catalogue
- Reach:
- more underground than 99% of Mark Broom's catalogue
- Brightness:
- darker than 81% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Highs and Lows - Mihalis Safras Remix in?
Highs and Lows - Mihalis Safras Remix by Mark Broom is in D♭ major, or 3B on the Camelot wheel.
What BPM is Highs and Lows - Mihalis Safras Remix?
Highs and Lows - Mihalis Safras Remix runs at 122 BPM, a club-tempo track.
What mixes well with Highs and Lows - Mihalis Safras Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Highs and Lows - Mihalis Safras Remix good for peak time?
With energy 42 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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