Trancendence - Andy Arias Remix
30s preview
- Key
- 8A · A minor
- BPM
- 112
- Open Key
- 1m
- Energy
- 41/100
- Pop
- 2/100
- Length
- 7:08
- Released
- 2017
- Album
- Mesmerizing / Trancendence
- Genre
- Progressive House
- Label
- GU Music
- Loudness
- -12.8 dB
- Dynamics
- 11.4 dB
- ISRC
- GBHFW1700141
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trancendenceoriginal11A · 120
- Trancendence - Ian Dillon Remixremix10A · 120
Against the original (11A at 120 BPM), this version runs 8 BPM slower and moves the key from 11A to 8A.
Trancendence - Andy Arias Remix runs 112 BPM in A minor (8A), a mid-tempo progressive house record. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2017 production that still circulates in sets. Slower than 99% of Marcelo Vasami's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 96% of Marcelo Vasami's catalogue
- Low end:
- more bass-heavy than 84% of Marcelo Vasami's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Trancendence - Andy Arias Remix in?
Trancendence - Andy Arias Remix by Marcelo Vasami is in A minor, or 8A on the Camelot wheel.
What BPM is Trancendence - Andy Arias Remix?
Trancendence - Andy Arias Remix runs at 112 BPM, a mid-tempo track.
What mixes well with Trancendence - Andy Arias Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Trancendence - Andy Arias Remix good for peak time?
With energy 41 out of 100 at 112 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 112 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More progressive house
More from Marcelo Vasami
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
